The best-selling record in every bin, and the deadwax decides what it is worth.
Fleetwood Mac started in 1967 as a British blues band built around Peter Green, and became something else entirely once Lindsey Buckingham and Stevie Nicks joined in 1975. Both eras are worth digging. The blues records are scarcer; the Buckingham and Nicks records are everywhere, which is exactly what makes them interesting.
Rumours (1977) is the one every store has. It sold in numbers that put a copy in nearly every American household with a turntable, and that ubiquity is why it belongs in a sample digger's crate as much as a rock collector's. Bone Thugs-N-Harmony built "Wind Blow" on "The Chain," and producers have been pulling from Warner Bros. rock of this era for decades precisely because the supply is endless.
For collectors, Rumours is the clearest lesson in why pressing details matter more than catalog numbers. The US original is Warner Bros. BSK 3010, but Discogs documents multiple pressing plants under that same number, and they do not all sound alike. Two copies with identical jackets and labels can be a five dollar record and a serious one. Read the runout etchings, not the seller's title.
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